Table of Contents
Welcome to the complete guide to Mouthbows to Cyberskins — a fan tribute to Buffy Sainte-Marie covering her music, her instruments, her achievements, and her ongoing creative life. Use this page to navigate everything available on this site.
About Buffy Sainte-Marie
- Homepage — Introduction and Welcome
- What’s New — Awards, Milestones & Achievements
- Articles — Critical Writing and Reviews
- Indigenous Community — Activism and Community Context
- Kennedy Space Center — Commander Jim Herrington Performance
The Music
- Discography — Complete Album Listing (1964–2004)
- She Used To Wanna Be A Ballerina (1971) — Album Detail
- The Mouthbow — History, Playing Technique & Song List
- Buyer’s Guide — Best Albums to Start With
Visual Art
About This Site
This fan tribute was created to preserve and share the content of one of the early web’s dedicated resources on Buffy Sainte-Marie. The original site — titled Mouthbows to Cyberskins after the arc of Buffy’s creative journey from ancient mouthbow instrument to digital art pioneer — was a labor of love that gathered concert reviews, biographical information, discography data, and multimedia from across her career.
Buffy Sainte-Marie’s work deserves this kind of sustained attention. She is one of the most significant artists produced by the North American folk revival, one of the most important Indigenous artists in any medium, and one of the most underappreciated pioneers in the history of recorded music and digital art. This tribute is an attempt to give her career the documentation it merits.
For Buffy’s official presence online, visit her official website at Creative Native. This is an independent fan tribute, not affiliated with Buffy Sainte-Marie or her management.